More Than A Magazine, A Movement
Another year of feminist struggles, another year of feminist triumphs. Our pop culture pushed back and provided many glimpses into feminist resistance throughout the culture.
This year’s top feminist moments reveal how artists, storytellers and creators confronted regressive politics with imagination, joy, righteous anger and expansive visions of humanity.
In every issue of Ms., we track research on our progress in the fight for equality, catalogue can’t-miss quotes from feminist voices and keep tabs on the feminist movement’s many milestones. We’re Keeping Score online, too—in this biweekly roundup.
This week:
—137 women and girls are killed by intimate partners or family members every day.
—Congress votes overhwlemingly to force the Justice Department to release their Epstein files.
—Donald Trump snaps at women journalists: “Quiet, piggy” and “you are an obnoxious—a terrible, actually a terrible reporter.”
—Violence against trans women remains high.
—DACA recipients are being targeted and detained under the Trump administration.
—Higher-income college students often receive more financial support than they need, while low-income students struggle.
—Tierra Walker died from preeclampsia in Texas after being repeatedly denied an abortion.
—Viola Ford Fletcher died at age 111. She was the oldest living survivor of the 1921 Tulsa Race Massacre.
—North Dakota’s total abortion ban was reinstated after the state’s Supreme Court reversed a temporary injunction from a lower court. There are now 13 states with total bans.
… and more.
At the Feminist Majority Foundation (publisher of Ms.) Global Women’s Rights Awards on Nov. 18 in Los Angeles, FMF honored the team behind the Broadway smash hit Liberation: playwright Bess Wohl, director Whitney White and Lisa Cronin Wohl, an OG Ms. writer from the 1970s.
“Theater is made up of dialogue. Autocracy is a monologue. Theater is about community: We watch a play together. Autocracy seeks to isolate us. Theater is about curiosity: A good play asks a question. Autocracy is not interested in questions, only in control.
“So, thank you, because in honoring this play, you honor the role of dialogue, community and questions in creating social change.”
MAGA Republicans are back in the White House, and Project 2025 is their guide—the right-wing plan to turn back the clock on women’s rights, remove abortion access, and force women into roles as wives and mothers in the “ideal, natural family structure.” We know an empowered female electorate is essential to democracy. That’s why day after day, we stay vigilant in our goals to dismantle patriarchy at every turn. We are watching, and we refuse to go back. This is the War on Women Report.
Since our last report:
—After a highly publicized trial, a jury acquitted music mogul Sean “Diddy” Combs of the most serious charges—sex trafficking and racketeering conspiracy.
—Texas’ funding pipeline for antiabortion crisis pregnancy centers allowed CPCs to spend millions of taxpayer dollars with little oversight into how the money was used.
—A Texas man is suing a doctor in California who he claims sent abortion pills in the mail to his girlfriend.
… and more.
For our Summer 2025 issue, Ms. is going retro. The cover for the latest print issue is an homage to the October 1975 issue, which offered a “Special Issue on Men.” Both covers, 50 years apart, show a man in jeans and a T-shirt (the 1975 model was, no joke, Robert Redford) with a rolled-up issue of Ms. in his back pocket, honing in on the idea that women’s rights is a men’s issue too.
It’s the perfect time to remember Bea Feitler, the early Ms. art director who designed the 1975 men’s issue cover. Despite being a prominent designer (she art-directed Harper’s Bazaar and other magazines throughout the 1960s and ’70s), Feitler is largely unknown today.
In honor of her incredible legacy, which inspires Ms. staffers to this day, here are some of our favorite facts about Feitler and her remarkable life and work.
The real discomfort with Carpenter’s controversial cover isn’t about sexual provocation. It’s about normalizing images of violence against women.
Policing women’s sexual choices should never be the goal of this discourse. Our personal sex lives are rich with context, and I hope that most people who enthusiastically interact with violent sexual acts, such as choking or hair-pulling, have felt comfortable enough with their partner to talk them through and have a truly consensual experience.
But we can monitor the way we speak about sex—especially expressions that lack that personal context, like album covers—and our tendencies as feminists to defend them in any light, no matter how troubling, for fear of restricting women as opposed to liberating them.
We do not need to be OK with violence. Each of us has the personal autonomy to consider it, be conscious of it, oppose it, or even play with it. But when we look at an image of a woman having her hair pulled like the leash of a dog, it is only human—and important—that we feel uncomfortable.
What began as a hurricane recovery effort blossomed into a women-run collective empowering generations of Indigenous artisans on Isla Mujeres.
A compilation about women’s representation in politics, sports and entertainment, judicial offices and the private sector—with a little gardening mixed in!
This week:
— New York City Council Speaker Adrienne Adams is expected to qualify for public matching funds this week after a late surge in campaign donations, thanks to a surprising boost from a rival.
—progress made towards gender parity in international elections
—In South Korea’s June presidential election, young women played a pivotal role in electing Lee Jae-myung, leading one reporter to call it “the anti-anti-feminist election.”
—June is Pride Month, marking the anniversary of the 1969 Stonewall Uprising in New York City, a turning point in queer activism in the United States.
… and more.
In the midst of Title X funding cuts to reproductive healthcare and antiabortion extremist attacks on clinics, the abortion rights movement needs as much visibility as it can get.
The United States for Abortion, a reproductive justice design initiative, lets supporters literally wear their support on their sleeve with pro-choice T-shirt designs sourced from independent designers across the country. The ongoing project—which just announced 10 new designs—is planning to incorporate designs from all 50 states, Puerto Rico and Indigenous Native nations, working at the intersection of graphic design and social justice.
One hundred percent of all proceeds from the T-shirts go to the National Network of Abortion Funds.
Liberation—running off-Broadway through April 6—offers a timely exploration of feminism, generational divides, and the persistent struggle for women’s rights, showing how much has changed … and yet how much remains the same.