This year’s top feminist moments reveal how artists, storytellers and creators confronted regressive politics with imagination, joy, righteous anger and expansive visions of humanity.
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]]>Janell Hobson spoke with Black feminist scholar and Butler biographer Susana M. Morris, who relied on the vast archive available at Huntington for her latest book, Positive Obsession: The Life and Times of Octavia E. Butler, which came out earlier this year.
"With Octavia Butler, we get cautionary tales. We could have just listened to her."
The post Octavia Butler Saw This Coming appeared first on Ms. Magazine.
]]>Her new book, Chronicles of Ori, continues that reclamation through story. A lushly illustrated volume rooted in Yoruba mythology, the work brings to life the Orishas, divine figures of West African cosmology, and weaves them together with familiar names like Eve—both biblical and mitochondrial—into a mythology that claims space for the African diaspora beyond enslavement.
“I felt that we needed a mythology,” Rosales told Ms. “We needed something to connect to besides enslavement, because that’s what seems to be in the Western canon.”
With Chronicles of Ori, she offers that connection: a world where African gods are unmasked, women embody creation itself, and the sacred is painted in brown skin. Through her art and her words, Rosales restores what history fragmented—melding spirituality, storytelling and imagination into what she calls a new kind of mythology, one that reclaims both memory and power.
The post Through Art and Storytelling, Artist Harmonia Rosales’ First Book Brings African-Centered Myths to Life appeared first on Ms. Magazine.
]]>Ms. contributing editor Janell Hobson spoke with Dr. Lomax about her latest works and the radical vision of “revolutionary mothering” that guides them.
"Black feminist mothering becomes this experiment. If people can teach sexism and hatred and racism, can we teach Black feminist politics? Is that possible? If we just do it from birth, and it's just normal everyday talk it's not this lesson that happens once at the dinner table but it's just part of our everyday living. Can we do that the same way that we teach hatred?
"Revolutionary mothering is teaching those Black feminist politics everywhere—in the car, on the couch, during movie night, after the basketball game, in the football stands. It's teaching a radical politics of our rights, our collective right to bodily autonomy first and foremost."
The post ‘Freeing Black Girls’ and ‘Loving Black Boys’: Tamura Lomax on Revolutionary Mothering During Troubled Times appeared first on Ms. Magazine.
]]>Despite claims that these programs are too small or unsustainable, the evidence tells a different story. These courses draw students across disciplines, fulfill general education requirements, and prepare graduates for a diverse global workforce. Market data show they are often cost-effective, with faculty teaching across departments and reaching wide audiences. Employers stress the importance of the very skills our graduates carry: critical thinking, collaboration and cultural humility. The question for higher education leaders is clear: Will you stand with these programs that represent the best of our democratic values—or allow them to be dismantled by political opportunism and short-sighted cuts?
The post University Leaders Must Act: An Open Letter on the Threats Facing Critical Interdisciplinary Programs Like Women’s and Gender Studies appeared first on Ms. Magazine.
]]>The issue is, we all get it and cannot avoid the ad’s uncomfortable truths about how women’s bodies convey different symbols and meanings. As a symbol of beauty, Sweeney certainly fits the bill as an attractive, voluptuous young woman who has capitalized on her looks. However, when the camera emphasizes Sweeney’s blue eyes just after panning across her body as she gives a quasi-scientific lesson on how “genes” get passed down, beauty is no longer just about whether a young woman is attractive enough to serve as an ad campaign’s spokesperson. It’s about which type of woman gets to define beauty and promoting scientific fixation on “good genes,” a holdover from the era of eugenics (which literally means “good genes”).
The best “all-American jeans” advertisement should capture this sense of aspirational dreaming. And Ralph Lauren “Oak Bluffs” ads do just that. These campaigns depict the collegiate, bougie aesthetic of Black middle-class life—represented by those African Americans attending HBCUs and vacationing in Oak Bluffs at Martha’s Vineyard during the summertime—and resonates more positively for a wider audience than American Eagle’s exclusionary “great genes” messaging.
The post The Great American Jeans Debate: Racializing Beauty and Democratizing ‘Good Genes’ in Commercial Media appeared first on Ms. Magazine.
]]>Ms.’ Janell Hobson spoke with Lindsey Stewart earlier this summer to discuss her latest book.
"So many of the things that we interact with in our daily lives have hidden origins. And Black people are not just Black people, but magic. ... I'm interested in how Black women used magic, used conjure to create a sense of safety in their communities. It was a type of luck management."
"One of the things I'm trying to do with this book is to debunk the scariness and the association with evil that comes out of conjure, because when you look at Black culture, it's present in so many of the sayings, superstitions, and practices that we use everyday, even though it's been rejected in these Christian spaces."
"There's another lineage of Negro Mammies, another story about Negro Mammies that's powerful. They were amazing women. And one of the things I wanted to do with this book is help Black women get closer to their ancestors and release the shame about how we survived. These women were powerful."
The post Built on Magic: Black Women’s Spiritual Legacy in American History appeared first on Ms. Magazine.
]]>The post Our Graduates’ Successes: What the Data Tells Us About the Value of Women’s and Gender Studies Degrees appeared first on Ms. Magazine.
]]>"Black feminist thinkers and scholars are the blueprint for not only Black feminist liberation but queer liberation, trans liberation," said Kaila Adia Story.
The post Kaila Adia Story on Why Queer Liberation Must Center Black Feminism appeared first on Ms. Magazine.
]]>"I wanted to show what lack of autonomy, what surveillance looks like, and durational performance felt like the best way to highlight her situation."
"You might have a six-week abortion ban. You might have whatever other oppressive policies in place. We have always found ways to aid and abet each other, and we always will."
The post Artist Autumn Breon’s Requiem for Reproductive Freedom: Honoring Adriana Smith Through Performance appeared first on Ms. Magazine.
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